¶ There is a vibrant tradition of performing William Shakespeare’s playtexts cross-, multi-, and trans-culturally. Such productions help us think through our own positions of privilege and reflect on the paradox of globalization—that to learn about other countries and cultures seems to always come with the threat of violence. For post-colonial writers, Gabriel García Márquez called this paradox the “crux of Solitude”: “poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable.” A play interested in Shakespeare’s text as a shared vocabulary, and then putting that in conversation with other shared cultural vocabularies, Bag & Baggage’s world premiere of “Romeo & Juliet (Layla & Majnun)” is stunning.
¶ Dear readers:
¶ Early last fall, when I had just moved into the Portland area, one of the first things on my list was to figure out where the Shakespeare was. In September, I posted a September blogroll of PDX Shakes Fests beyond that of the Oregon Shakespeare Festival, a bit southward in beautiful Ashland. That list included the Portland Actors Ensemble, my now home troupe the Original Practice Shakespeare Festival, and the Portland Shakespeare Project (housed by Artist Repertory Theatre). As I get a better lay of the theatre landscape here in the cool northern woods, I give you the start of a group list of additional companies in the area with commitments to pre-modern and Shakespearean drama.