¶ Dear readers:
¶ The blogroll this month is a simple one: three interesting reads that a number of friends, popular and scholarly, emailed over the summer and fall—some multiple times. I am this kind of person; I like to email CFPs and articles of interest to friends. It both activates my brain in terms of questions about a subject I don’t know, but also reminds me of all the generous and brilliant people out there I’ve had the chance to meet.
Continue reading “October Blogroll: All-G Edition”
¶ Dear readers:
¶ According to American Theatre magazine, “Shakespeare remains the most-produced playwright in the country, with 108 productions (including various adaptations). And this year his most-produced play will be Twelfth Night with 9 productions.” In fact, Shakespeare in Love was the most produced play of the year, with 15 full-scale professional productions nation-wide. This does not take into account all of the Shakespeare-ish works making the rounds to be excited for, including the Reduced Shakespeare Company’s William Shakespeare’s Long Lost First Play (Abridged) and Emma Whipday’s Shakespeare’s Sister. If you are in the Portland area this fall, there are a couple of exciting productions to keep your eyes peeled for.
¶ Pericles Wet
¶ This December, Portland Shakespeare Project will be producing a full-scale run of my colleague, Ellen Margolis’ adaptation of Pericles, Prince of Tyre. Based on the act printed in a recent issue of Proscenium and a reading I saw last year, this is likely to prove special. This re-magining refocuses on the assault of Princess Hesperides and the framing device of Gower.
Continue reading ““Feast here awhile”: Shakespeare for a Portland Autumn”