Round-up of 2018

Here is a purr of fortune’s, sir, or of fortune’s 
cat — but not a musk-cat — that has fallen into the 
unclean fishpond of her displeasure, and, as he 
says, is muddied withal: pray you, sir, use the 
carp as you may; for he looks like a poor, decayed, 
ingenious, foolish, rascally knave. I do pity his 
distress in my similes of comfort and leave him to 
your lordship.

— Clown, All’s Well That Ends Well

It has truly been a fortunate year. From my brother’s wedding to a brilliant research trip tp the Huntington Library, not to mention a relatively dry and warm fall and winter in Portland, I am sure I’m at the zenith of Fortune’s Wheel, and so steady myself for rougher waters ahead. In reflection on a great deal of good news and satisfying work, this post cobbles together a few year-end notes.

Just a few of my favorite things I saw this year, including Everybody and Magellanica (Artists Repertory Theatre); Henry V, Romeo & Juliet, and Snow in Midsummer (Oregon Shakespeare Festival); Strangest Yellow (Fertile Ground Festival); Wakey Wakey (Portland Playhouse); Uncle Vanya (PETE); Macbeth (Shaking the Tree); Silent Sky (Pacific University); and She is Fierce (Enso Theatre).
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January Blogroll: Best of 2017

Dear readers:

 I don’t think I have to tell you this was a bizarre year. Everything in public life seemed to be going straight in the bin, and yet things for me professionally have only progressed positively. A number of long-awaited publications came into print, including the recent volume of Shakespeare Studies. I attended several conferences and workshops in three countries, saw far too many Much Ado About Nothings, started doing a great more public outreach, and blogged through two Shakespeare festivals—one at the American Shakespeare Center and the other with my hometown company, the Original Practice Shakespeare Festival. Here are some of your (and my!) favorite posts from Bite Thumbnails this past year.

My favorite view: some lovely folks doing smart things with Shakespeare—through a beer glass. OPS Fest performing The Tempest at the Mission Theatre.

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