¶ Dear all,
¶ I’m back at it again this winter as a “Fresh Eye” for Artists Repertory Theatre’s world premiere of the binge-worthy Magellanica. All the better, I get to share this experience with my partner-in-crime, Matthew Minicucci, who is bringing a poet’s eyes to the rehearsal process. Here’s the theatre’s synopsis:
In 1986, scientists and engineers from around the world converge at the South Pole Research Station to figure out, among other things, if there really is a hole in the sky. In the darkest, coldest, most dangerous place on Earth, eight imperfect souls are trapped together. Utterly isolated from the outside world for eight and a half months, this research team must face life or death challenges, their own inner demons and depend upon each other for survival.
With epic scope in the tradition of The Kentucky Cycle or Angels in America, this play takes its inspiration from the true story of the discovery of the hole in the ozone layer at the height of the Cold War. Part historical adventure, love story and mystical foray into the unknown, it’s about a world that can either tear apart or come together for its own survival. It’s a vital story for today and an extraordinary excursion for audiences to the ends of the Earth.
Continue reading “Fresh Eyes on Artists Rep’s “Magellanica””
¶ Dear readers:
¶ According to American Theatre magazine, “Shakespeare remains the most-produced playwright in the country, with 108 productions (including various adaptations). And this year his most-produced play will be Twelfth Night with 9 productions.” In fact, Shakespeare in Love was the most produced play of the year, with 15 full-scale professional productions nation-wide. This does not take into account all of the Shakespeare-ish works making the rounds to be excited for, including the Reduced Shakespeare Company’s William Shakespeare’s Long Lost First Play (Abridged) and Emma Whipday’s Shakespeare’s Sister. If you are in the Portland area this fall, there are a couple of exciting productions to keep your eyes peeled for.
¶ Pericles Wet
¶ This December, Portland Shakespeare Project will be producing a full-scale run of my colleague, Ellen Margolis’ adaptation of Pericles, Prince of Tyre. Based on the act printed in a recent issue of Proscenium and a reading I saw last year, this is likely to prove special. This re-magining refocuses on the assault of Princess Hesperides and the framing device of Gower.
Continue reading ““Feast here awhile”: Shakespeare for a Portland Autumn”