Admittedly, I am a bit out of practice reviewing here on the blog. My writing energies have been elsewhere, and you can see some recent things now available and forthcoming from Shakespeare Bulletin and others. Being no expert in the adaptive nuances of Shakespeare and opera, some thoughts about Gustavo Dudamel‘s one-night performance of Otello with the LA Philharmonic seemed a good fit to jump back in to blogging. (I suspect there are special issues out there on just this topic; I more than welcome any recommendations you have! The LA Times offers a detailed expert review here.) My first career was as a classical musician, so I couldn’t miss the chance to catch the rockstar of conducting ply his hand at what is widely considered Verdi’s most moving consideration of Shakespeare.