Round-up of 2018

Here is a purr of fortune’s, sir, or of fortune’s 
cat — but not a musk-cat — that has fallen into the 
unclean fishpond of her displeasure, and, as he 
says, is muddied withal: pray you, sir, use the 
carp as you may; for he looks like a poor, decayed, 
ingenious, foolish, rascally knave. I do pity his 
distress in my similes of comfort and leave him to 
your lordship.

— Clown, All’s Well That Ends Well

It has truly been a fortunate year. From my brother’s wedding to a brilliant research trip tp the Huntington Library, not to mention a relatively dry and warm fall and winter in Portland, I am sure I’m at the zenith of Fortune’s Wheel, and so steady myself for rougher waters ahead. In reflection on a great deal of good news and satisfying work, this post cobbles together a few year-end notes.

Just a few of my favorite things I saw this year, including Everybody and Magellanica (Artists Repertory Theatre); Henry V, Romeo & Juliet, and Snow in Midsummer (Oregon Shakespeare Festival); Strangest Yellow (Fertile Ground Festival); Wakey Wakey (Portland Playhouse); Uncle Vanya (PETE); Macbeth (Shaking the Tree); Silent Sky (Pacific University); and She is Fierce (Enso Theatre).
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“Darling Buds”: Shakespeare for a Portland Spring

There is a lot of great Shakespeare lined-up in the Portland region this spring. While there are usual summer seasonal companies—my own Original Practice Shakespeare Festival opening on midsummer eve and the Oregon Shakespeare Festival—there is a lot of exciting shorter runs closer to the city to take in. This past fall was a treat, and I didn’t get to nearly as much as I wanted. This time, I’m buying tickets early and blocking out my calendar – and so should you. Here’s a list and details of what is coming up early modern this spring in PDX.

Let me know what you think!

Who thought this was a good idea for a chocolate brand? #ShakespeareInTheWild

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