¶ Dear readers,
¶ I’ve just completed a Twitter play with a group of first-year seminar students here at Pacific University, and it has been an amazing experience. I am planning on writing about it in more detail in the future–and perhaps presenting on it at the upcoming Oregon Technology in Education Network (OTEN) conference. For now, I wanted to provide a brief overview of the performance that has just wrapped today and a link to the Storify so you can catch up for yourselves with our 747-tweet play.
Continue reading “The #OthellosCrane Project: Storify”
¶ Dear readers:
¶ According to American Theatre magazine, “Shakespeare remains the most-produced playwright in the country, with 108 productions (including various adaptations). And this year his most-produced play will be Twelfth Night with 9 productions.” In fact, Shakespeare in Love was the most produced play of the year, with 15 full-scale professional productions nation-wide. This does not take into account all of the Shakespeare-ish works making the rounds to be excited for, including the Reduced Shakespeare Company’s William Shakespeare’s Long Lost First Play (Abridged) and Emma Whipday’s Shakespeare’s Sister. If you are in the Portland area this fall, there are a couple of exciting productions to keep your eyes peeled for.
¶ Pericles Wet
¶ This December, Portland Shakespeare Project will be producing a full-scale run of my colleague, Ellen Margolis’ adaptation of Pericles, Prince of Tyre. Based on the act printed in a recent issue of Proscenium and a reading I saw last year, this is likely to prove special. This re-magining refocuses on the assault of Princess Hesperides and the framing device of Gower.
Continue reading ““Feast here awhile”: Shakespeare for a Portland Autumn”